Title, La interacción del color. Volume 1 of Alianza forma · Forma / Form. Author, Josef Albers. Translated by, María Luisa Balseiro. Edition, illustrated, reprint. La Interaccion del Color by Josef Albers, , available at Book Depository with free delivery worldwide. La interacción del color (Forma / Form) | Josef Albers, María Luisa Balseiro | ISBN: | Kostenloser Versand für alle Bücher mit Versand und.

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El color de Josef Albers El color de Josef Albers | Arquine

Inicio de ventana Agregar a lista. Many of the silk screens have flaps, cut-out overlays and other variables. Albers was especially eager to have his Homage to the Square paintings reproduced in a way that would come as close as possible to replicating their powerful demonstrations of color interaction. Moving from simple to complex, with many exercises exploring the ramifications of a previous one, the course awakened the students to the quirks and variables of color behavior.

In visual perception a color is almost never seen as it really is—as it physically is. In Albers collaborated with Yale University Press to issue a small pocket edition of Interaction of Color and in a complete German edition and a paperback in German were published.

Very cleanly split in two. Ir directamente al contenido collr. Can you get these colors to do this? As presented in the course, these exercises were essentially challenges: For several hundred years, however, color had been science.

Please make sure you choose the correct address when you make the payment. Apart from the letterpress plates, therefore, Interaction albrrs Color was made entirely in the U.

La Interaccion del Color

Josef Albers’s Interaction of Color is a masterwork in twentieth-century art education. This copy has escaped the ravages of time and abuse, as the condition is Excellent. Two-volume hardbound edition with full text and plates. Norwegian hardbound edition, Oslo: Spanish revised and expanded paperback edition, Madrid: Inthe 50th anniversary of the original publication, the digital joosef of Interaction of Color was released in a groundbreaking new application for iPad.


They are arranged to show the effects a variety of colours have on each other, together with these is a 48 page ‘Commentary’ in plain black wraps. Albers specified an arrangement and typography that paralleled the rhythms and cadences of his speech, and he wrote the entire text.

Working closely with Albers, Sillman mixed an astonishing eight-hundred—plus colored inks for the plates of Interaction of Color while Ives came up with a three-part design for the publication: Various other circles and globes appeared in the 18th, 19th and 20th centuries, each attempting to make comprehensible the stubbornly elusive nature of their subject by arranging it into a logical and orderly pattern.

Sixteen of the folders were simply unsuited to screenprinting and were completed by a josff of four-color letterpress and offset lithography. Conceived as a handbook and teaching aid for artists, instructors, and students, this timeless book presents Albers’s unique ideas of color experimentation in a way that is valuable to specialists as well as to a larger audience.

Chongquing University Press, This is a Masterpiece! To describe this work interacccin impossible, to view it is overwhelming. Agregar a Lista de favoritos Agregar a lista de deseos.

If you need to see additional pictures of any particular silkscreen just send a message. His exercises therefore focused on color in specific contexts, showing that if you put color A next to color B, or these colors next to those, you could anticipate certain results.

Detailed information on the App can be found at www. Bending the spectrum and joining its ends, he created the first color circle. His color course, which he inaugurated at Black Mountain College, comprised a sequence of simple exercises, each of which isolated some aspect of color interaction so as to observe that interaction carefully.


Original edition with silkscreened plates, New Haven: Yale University Press, Collating and assembling the two thousand three-part volumes and the folders was no less of a challenge. The pictures show a small sample of the silkscreens. Tarpon Springs, Florida, Estados Unidos.

In order to use color effectively it is necessary to recognize that color deceives continually. Two things I am planning for this year: It would have to be not a ccolor about color but nothing less than a book of color. Yale University Press, This fact makes color the most relative medium in art. Interaccinn he noted at the outset of Interaction of Color:. Usually only Museums, Libraries, Universities, and occasionally a bookdealer or the fortunate individual may possess this masterpiece.

First edition,by Josef Albersand the only edition printed, as the plates were destroyed after copies were printed. As he noted at the outset of Interaction of Color: To this end, the beginning is not a study of color systems. Weaver recounted how the one hundred and sixty thousand individual folders arrived at the Yale Press offices in wooden boxes specially constructed to avoid intwraccin and possible damage to the printed surfaces.

Proofing of the sixty-four screenprinted folders studies was exacting and arduous—a perfect analogue of the attention and craftsmanship Albers demanded of his students.

Because of the huge scale of the project, the screenprinting was divided among three separate companies—R. French revised and expanded paperback edition.

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